Die Ölgemälde alles Fra Filippo Lippi

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Painting (From A to Z)

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32057

Scenes of Carmelite

mk78 Florence,Convent of the Carmine

32058

Scenes ofCarmelite

mk78 Florence,Convent of the Carmine

45416

scenes out of life Johannes of the Taufer the guest meal of the here ode

mk186 around 1460 Prato

59666

Selfportait with pupils

Selfportait with pupils

2568

Seven Saints

1448-50 National Gallery, London

42857

Seven Saints

mk170 1445-1450 Tempera on wood 68x151.5cm

32165

St Alberto fo Trapani

mk78 Prato,cathedral of Santo Stefano, Choir chapel

32138

St Amhony Abbot

mk78 Cleveland Cleveland Museum of Art

32133

St Anthony Abbot

mk78 Florence, Uffizi

32125

St Augustine's Vistion of the Christ

mk78

32122

St Bernard's Vision of the Virgin

mk78 London National Gallery

32159

St Dominic

mk78 London Courtauld Institute Galleries

32097

St Frediano Diverts the Course of the River Serchio

mk78 Florence, Uffizi

52280

St Fredianus Diverts the River Serchio

c. 1438 Tempera on wood, 40 x 235 cm

32164

St Giovanni Gualberto

mk78 Prato,cathedral of Santo Stefano, choir chapel

32082

St Gregory and St Jerome

mk78 Turin, Accademia Alberitna di Belle Albertina di Belle Arti

32137

St Jerome and the Lion

mk78 London, National Gallery

52272

St John Taking Leave of his Parents

1452-65

32134

St John the Baptist

mk78 Florence, Uffizi

32163

St John the Evangelist.

mk78 Prato,cathedral of Santo Stefano,choir chapel

32123

St Lawrence Enthroned with Sts Cosmas and Damian,Other Saints and Donors

mk78 New York Metropolitan Museum of Art.

32162

St Luke Prato,cathedral of Santo Stefano,choir chapel

mk78 vaule compartment

52265

St Luke the Evangelist

c. 1454 Fresco Duomo

32161

St Mark.

mk78

32160

St Matthew.

mk78

32139

St Michael

mk78 Cleveland Cleveland Museum of Art.

32101

St Nicholas Halts an Unjust Execution

mk78 Florence. San Lorenzo

32102

St Nicholas Resurrects Three Murdered Youths

mk78 Florence San Lorenzo

32081

St.Augustine and St Ambrose

mk78 Turin Accademia Albertina di Belle

32096

St.Augustine Perceives the Trinity

mk78 Florence, Uffizi,

32066

St.Catherine of Alexandria and an Evangelist

mk78 Lyons,Musee des Beaux-Arts.

32077

St.Jerome in Penitence

mk78 Altenburg Staatliches Lindenau-Museum

32065

St.John the Evangelist,Princeton

mk78

32099

St.Nicholas Dowers Three Impoverished Maidens with his Inberitance

mk78 Florence, San Lorenzo

32140

Sts Francis,Lawrence,Cosmas or Damian,John the Baptist,Damian or Cosmas,Anthony Abbot and Peter

mk78 Martyr. London, National Gallery

32147

The Adoration of the Infant jesus

mk78 Florence,Uffizi

32149

The Adoration of the Infant Jesus

mk78 Berlin Staatliche Museen Preussischer

32152

The Adoration of the Infant Jesus

mk78 Florence, Uffii.

32153

The Adoration of the Infant Jesus with St George and St Vincent Ferrer

mk78 Prato, Galleria Comunale di Palazzo Pretorio

32145

The Adoration of the Magi

mk78 Washington,National Gallery of Art

2564

The Annunciation

1440 Martelli Chapel, San Lorenzo, Italy

31719

The annunciation

mk76 Painted c.1440 Tempera on panel 25 1/8x9 7/8in

31720

The ANNUNCIATION

mk76 Painted c.1440 Tempera on panel 25 1/8X10IN

32098

The Annunciation

mk78 Florence,San Lorenzo

32112

The Annunciation

mk78 Rome Museo Nazionale at Palazzo

32115

The Annunciation

mk78 Munich Alte Pinakothek

32119

The Annunciation

mk78 Rome Palazzo Doria

32141

The Annunciation

mk78 London National Gallery

32187

The Annunciation

mk78 Spoleto,cathedral of Santa Maria Assunta,

38169

The Annunciation

mk29 c.1440 Tempera on poplar panels

42856

The Annunciation

mk170 1445-1450 Tempera on wood 68.5x152cm

50855

The Annunciation

mk216

51689

The Annunciation

nn09 c.1440 Tempera on wood 69x72in

2566

The Annunciation ttt

1443-45 Pinakothek, Munich

32154

The Annunciation with Donor

mk78 Corsham Court

52264

The Annunciation with two Kneeling Donors

c. 1440 Oil on panel, 155 x 144 cm

55937

The Annunciation with two kneeling donors

mk247 c.1440s,oil on panel,61x56.75 in,155x144 cm,galleria nazionale d arte antica,rome,ltaly

32078

The Annunciation:The Angel

mk78 New York

32079

The Annunciation:The Virgin Annunciate

mk78 New York

32173

The Beheading of St John

mk78 Prato,cathedral of Santo Stefano

32166

The Birth and Infancy of St Stephen

mk78 Prato,cathedral of Santo Stefano,choir chapel

32167

The Birth and Naming of St John the Baptist

mk78 Prato,cathedral of Santo Stefano, choir chapel

32170

The Celebration of the Relics of St Stephen and Part of the Martyrdom of St Stefano

mk78

2562

The Coronation of the Virgin

Galleria degli Uffizi, Florence

32106

The Coronation of the Virgin

mk78 Florence,Uffizi

32110

The Coronation of the Virgin

mk78 Vatican City Pinacoteca Vaticana

32184

The Coronation of the Virgin

mk78 Spoleto,cathedral of Santa Maria Assunta,

32071

The Dead Chris with St Francis and St Jerome.

mk78 Florence,Palazzo del

32073

The Dead Christ Supported by Mary and St.John the Evangelist

mk78 Milan Museo Poldi Pezzoli

32143

The Death of St Jerome.

mk78 Prato, Museo dell'Opera del Duomo

52276

The Doctors of the Church

c. 1437 Panel, 129 x 65 cm

32171

The Feast of Herod

mk78 Prato, cathedral of Santo Stefano choir chapel

33385

The Feast of Herod Salome's Dance

mk86 c.1460-1464 Fresco,width c.880cm Prato,Duomo,Cappella Maggiore

32126

The Infant St Ambrose's Mirache of the Bees

mk78 Berlin, Staatlich Museeen Preussischer Kulturbesitz. Gemaldegalerie

52303

The Intervention of Christ and Mary

Oil on wood, 156,1 x 146,7 cm

32135

Fra Filippo Lippi, The Madonna and Child Enthroned with Stephen,St John the Baptist,Francesco di Marco Datini and Four Buonomini of the Hospital of the Ceppo of Prato

The Madonna and Child Enthroned with Stephen,St John the Baptist,Francesco di Marco Datini and Four Buonomini of the Hospital of the Ceppo of Prato

mk78 Prato, Galleria Comunale di Palazzo Pretorio

32155

The Madonna and Child with the Birth of the Virgin and the Meeting of Joachim and Anna

mk78 Florence, Museo Palatino

41982

The Madonna and the Nno enthroned with the holy juan the Baptist, Victor Bernardo and Zenobio

mk166 1486 Tempera on board 355x255cm Uffizi, Florence

32069

The Man of Sorrows

mk78 Verona,Museco di Castelvecchio.

32072

The Man of Sorrows

mk78 Verona, Museo di Castelvecchio.

32172

The Martyrdom of St Stephen

mk78

32124

The Meeting of Joachim and Anna at the Golden Gate

mk78 Oxford Ashmolean Museum

32127

The Miraculous Rescue of St Placidus

mk78 Washington, National Gallery of Art

32169

The Mission of St John the Bapitst

mk78

32168

The Mission of St Stephen

mk78 Prato cathedral of Santo Stefano,Chior chapel

32189

The Murals at Prato and Spoleto

mk78

32075

The Nativity

mk78 Washington, National Gallery of Art.

32076

The Nativity

mk78 Washington, National Gallery of Art.

32191

The Nativity and Adoration of the Shepherds

mk78 Spoleto,cathedral of Santa Maria Assunta,

32087

The Osservanza Master The Birth of the Virgin,with other Scenes of her Life

mk78 Tempera and gold leafon 220x162cm

32183

The Prato Master,St Stephen Preaching to the Pharisees

mk78 c.1443 Fresco Prato,cathedral of Santo Stefano,cappella dell'Asunta

32068

The Rescue of St Placidus and St Benedict's Visit to St Scholastica

mk78 c.1415-20 Tempera on panel complete panel 28.5x52cm London,National Gallery

52270

The Saint-s Funeral

1460 Fresco Duomo

42858

THe Trinity and Four Saints

mk170 1455-1460 Egg tempera and oil on wood 184x181.5cm

32136

The Trinity with Sts Mamas,James the Great,Zeno and Jerome,

mk78 London, National Gallery

38436

The Verkundigung

mk137 ca. 1440 wood chalkboards 175x183cm San Lorenzo, Florence

52268

The Virgin Appears to St Bernard

1447 Wood, 69 x 105 cm

33397

The Vision of St Bernard

mk83 c.1486 Tempera on wood 210x195cm Florence,Badia Fiorentina

2565

Virgin and Child

1440-45 Musee du Louvre, Paris

20017

Virgin and Child Surrounded by Angels with (mk05)

st Frediano and st Augustine(The Barbadori Altarpiece)1437 Wood 82 x 96''(208 x 244 cm)Entered the Louvre in 1814

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Fra Filippo Lippi

Italian 1406-1469 Fra Filippo Lippi Galleries Lippi was born in Florence to Tommaso, a butcher. Both his parents died when he was still a child. Mona Lapaccia, his aunt, took charge of the boy. In 1420 he was registered in the community of the Carmelite friars of the Carmine in Florence, where remained until 1432, taking the Carmelite vows in 1421 when he was sixteen. In his Lives of the Artists, Vasari says: "Instead of studying, he spent all his time scrawling pictures on his own books and those of others," The prior decided to give him the opportunity to learn painting. Eventually Fra Filippo quit the monastery, but it appears he was not released from his vows; in a letter dated 1439 he describes himself as the poorest friar of Florence, charged with the maintenance of six marriageable nieces. In 1452 he was appointed chaplain to the convent of S. Giovannino in Florence, and in 1457 rector (Rettore Commendatario) of S. Quirico in Legania, and made occasional, considerable profits; but his poverty seems chronic, his money being spent, according to one account, in frequent amours. Vasari relates some romantic adventures of Fra Filippo that modern biographers are not inclined to believe. Except through Vasari, nothing is known of his visits to Ancona and Naples, nor of his capture by Barbary pirates and enslavement in Barbary, where his skill in portrait-sketching helped to release him. From 1431 to 1437 his career is not accounted for. Portrait of a Man and Woman at a Casement , c. 1440 Metropolitan Museum of Art, New York City.In June 1456 Fra Filippo is recorded as living in Prato (near Florence) to paint frescoes in the choir of the cathedral. In 1458, while engaged in this work, he set about painting a picture for the convent chapel of S. Margherita of Prato, where he met Lucrezia Buti, the beautiful daughter of a Florentine, Francesco Buti; she was either a novice or a young lady placed under the nuns' guardianship. Lippi asked that she might be permitted to sit for the figure of the Madonna (or perhaps S. Margherita). Under that pretext, Lippi engaged in sexual relations with her, abducted her to his own house, and kept her there despite the nuns' efforts to reclaim her. The result was their son Filippino Lippi, who became a painter no less famous than his father. Such is Vasari's narrative, published less than a century after the alleged events; it is not refuted by saying, more than three centuries later, that perhaps Lippo had nothing to do with any such Lucrezia, and perhaps Lippino was his adopted son, or only an ordinary relative and scholar. The argument that two reputed portraits of Lucrezia in paintings by Lippo are not alike, one as a Madonna in a very fine picture in the Pitti gallery, and the other in the same character in a Nativity in the Louvre, comes to very little; and it is reduced to nothing when the disputant adds that the Louvre painting is probably not done by Lippi at all[clarification needed]. Besides, it appears more likely that not the Madonna in the Louvre but a S. Margaret in a picture now in the Gallery of Prato is the original portrait (according to tradition) of Lucrezia Buti. The frescoes in the choir of Prato cathedral, which depict the stories of St John the Baptist and St Stephen on the two main facing walls, are considered Fra Filippo's most important and monumental works, particularly the figure of Salome dancing, which has clear affinities with later works by Sandro Botticelli, his pupil, and Filippino Lippi, his son, as well as the scene showing the ceremonial mourning over Stephen's corpse. This latter is believed to contain a portrait of the painter, but there are various opinions as to which is the exact figure. On the end wall of the choir are S. Giovanni Gualberto and S. Alberto, while the vault has monumental representations of the four evangelists. The close of Lippi's life was spent at Spoleto, where he had been commissioned to paint, for the apse of the cathedral, scenes from the life of the Virgin. In the semidome of the apse is Christ crowning the Madonna, with angels, sibyls and prophets. This series, which is not wholly equal to the one at Prato, was completed by Fra Diamante after Lippi's death. That Lippi died in Spoleto, on or about the 8th of October 1469, is a fact; the mode of his death is a matter of dispute. It has been said that the pope granted Lippi a dispensation for marrying Lucrezia, but before the permission arrived, Lippi had been poisoned by the indignant relatives of either Lucrezia herself or some lady who had replaced her in the inconstant painter's affections. This is now generally regarded as a fable, and indeed, a vendetta upon a man aged sixty-three for a seduction committed at the age of fifty-two seems hardly plausible. Fra Filippo lies buried in Spoleto, with a monument erected to him by Lorenzo the Magnificent; he had always been zealously patronized by the Medici family, beginning with Cosimo de Medici. Francesco di Pesello (called Pesellino) and Sandro Botticelli were among his most distinguished pupils. The altarpiece Lippi painted in 1441 for the nuns of S. Ambrogio is now a prominent attraction in the Academy of Florence, and was celebrated in Browning's well-known poem. It represents the coronation of the Virgin among angels and saints, including many Bernardine monks. One of these, placed to the right, is a half-length portrait of Lippo, pointed out by the inscription perfecit opus upon an angel's scroll. The price paid for this work in 1447 was 1200 Florentine lire, which seems surprisingly large. Selfportait with pupilsFor Germiniano Inghirami of Prato he painted the Death of St. Bernard. His principal altarpiece in this city is a Nativity in the refectory of S. Domenico ?? the Infant on the ground adored by the Virgin and Joseph, between Saints George and Dominic, in a rocky landscape, with the shepherds playing and six angels in the sky. In the Uffizi is a fine Virgin adoring the infant Christ, who is held by two angels; in the National Gallery, London, a Vision of St Bernard. The picture of the Virgin and Infant with an Angel, in this same gallery, also ascribed to Lippi, is disputable. Filippo Lippi died in 1469 while working on the frescos Storie della Vergine (Scenes of the life of the Virgin Mary, 1467 - 1469) in the apse of the Spoleto Cathedral. The Frescos show the Annunciation, the Funeral, the Adoration of the Child and the Coronation of the Virgin. A group of bystanders at the Funeral includes a self-portrait of Lippi together with his son Fillipino and his helpers Fra Diamante and Pier Matteo d'Amelia. Lippi was buried on the right side of the transept. The frescos were completed by Filippino Lippi, who also designed the funerary monument for his father. Although it was commissioned by Lorenzo de Medici it was not actually made until 1490 by an unknown Florentine sculptor.

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